Having had six months prior to shooting to develop the effects, Baker’s secrets are now well-known but evermore convincing. In the end David Kessler is only marginally sympathetic.

But we are given a two-sided poster with original poster art, and cards representing an original lobby card set.



This strange duality might have turned off critics who couldn’t decide if it was a comedy or a horror, but it all quite brilliantly conceals the fact that this is a straight-ahead tragedy with only one ending: the bitter death of college student David Kessler.


And when Alex tries to reason with him, it lunges at her, only to be shot three times. Runtime



Watch An American Werewolf in London on Amazon. Jack appears to David as a ghost, and explains they were attacked by a werewolf, and that David is now a werewolf. Complaining about how bad limbo is with all the other werewolf victims, Jack whines in exasperation, “Have you ever talked to a corpse? An extra on an older Criterion disc of Videodrome features a somewhat historical talk-show gathering of three ‘young Turk’ horror directors with new pix in the pipeline: John Landis, John Carpenter, and David Cronenberg. Universal Pictures recently failed to reboot its “Universal Monsters” label, this time as modern action movies with a shared universe. He is interviewed by police Inspector Villiers who tells him he and Jack were attacked by an escaped lunatic. With the damp air chilled enough that 35mm cameras could actually pick up the steam escaping exposed limbs following the massacre, actor Griffin Dunne had to scream for his life into the night air again and again.

Those nightmares also prelude the return of Jack. Blu-ray rates: “I witnessed this funeral, it was very strange,” Landis said.

John Landis At some point in time Guillermo del Toro developed remakes of Creature and Frankenstein for Universal; his time developingCreature, of course, paid off later.). After failing to get himself arrested in Trafalgar Square, David runs away from Alex. Edit. This made Landis realize that he would never be able to confront the undead and gave him the idea for a film in which a man would go through the same thing. Carpenter is his usual uncommunicative self and the almost-always jovial Landis is uncommonly reserved — maybe the three didn’t know each other well, and didn’t want to act competitive, or perhaps they didn’t trust the host?



Another full-length interview documentary by Daniel Griffith pulls in quite a few makeup effects experts that worked on the picture. John Landis supervised the 4K restoration. Original Music: Elmer Bernstein

Jack again advises David to take his own life to avoid killing innocent people, but David still does not believe him and urges him to go away. Hence when the supernatural folklore is unironically presented with complete conviction to two characters who wouldn’t have been out of place at the Delta Tau Chi fraternity, or as caddies for Chevy Chase and Ted Knight, it is both darkly humorous and shockingly grim. In essence, Landis found a way to successfully remake The Wolf Man 40 years after that World War II hit similarly took audiences by surprise. Release Date(s)

We’re certainly not expecting anything profound, when pop songs about The Moon — three versions of ‘Blue Moon’ for example — are never far away. It is a brutal moment of pure despair and without a hint of cynical detachment. It’s succinct, visceral, and unforgettable. The well-cast David Naughton has a charm and geniality to stay fresh even though his character is the fall guy in a shaggy-dog story.

Graphic gore effects repelled the (shrinking) older audience but thrilled kids looking for a jolt on movie night.

Is Jack a manifestation of David’s guilt, a chit-chatting death wish generated by his traumatized brain?


After causing death and destruction throughout the Circus, the local police force traps the beast in a corner.

An American Werewolf in London is his first solo scripted project since his clever monster comedy Schlock, from a full decade previous.

An old-fashioned monster movie gore-fest that hasn’t dimmed in popularity, John Landis’s slightly twisted telling of a hiking mishap pulled nervous laughter from audiences pre-primed to expect ground-breakingly shocking special effects. Instantly, David has returned to the screen, now a fresher corpse than Jack, and Alex is left to cry over his remains.

Landis forces audiences to wallow in the inevitable outcome that still somehow surprised, and leaves Jenny Agutter to sell the moment.

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