A snake-handling Pentecostal pastor’s daughter faces a familiar romantic predicament in this dreary Appalachian tragedy. There’s such a confounding lack of atmosphere or tension throughout that when the pulpy stuff arrives, it lands with a thud. Alice Englert and Walton Goggins in Them That Follow. Anton Chekhov warned other playwrights that if a rifle on the wall of a set isn't going to be fired at some point, it shouldn't be hanging there. When you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission. His daughter Mara (Alice Englert) is being prepped for marriage to a local boy, whom she has little interest in, while she tries to limit her affection for the non-believing son of gas station attendant Hope (Colman). But the funereal gloom of the forest and the earnest anxiety of the performances (particularly by Goggins and fellow "Justified' alumnus Dever) are worth a look. Powered by JustWatch. Film Review: ‘Them That Follow’. When a hymen check by Augie’s mother (a formidable Olivia Colman) confirms the worst, the stage is set for a tragedy that’s simultaneously repellent and sadly uninvolving. Audience Reviews for Them That Follow Mar 20, 2020 I was honestly pretty disappointed with Them That Follow. 5. stars 2 out of 5 stars. But not long into writer-directors Britt Poulton and Dan Madison Savage’s first feature, interest starts to dissipate. 2. Thomas Mann and Walton Goggins in Them That Follow. The script implicitly talks a good game when it comes to cultural relativity, but there's really only one trajectory for this story, which is bad to worse to even worse. Substitute a rifle for a poisonous serpent in a box, and you have "Them That Follow.". Englert is a hologram of a character, stuck in a cycle of ponderous sub-Malickian scenes of staring at nature that don’t even possess the aesthetic appeal to make them visually interesting, requiring a great deal of patience from even the most patient of viewers. She struggles with an American accent but she adds fire to whatever scene she crops up in, elevating the film around her with conviction and ferocity. Them That Follow is showing at the Sundance film festival, The Last Black Man in San Francisco review – heartfelt yet twee ode to the city. This debut feature from the writer-director team of Britt Poulton and Dan Madison Savage is set within an isolated Appalachian mountain community of evangelical snake-handlers headed by a preacher named Lemuel Childs (Walton Goggins, who specializes in this kind of role, and played an adjacent version on the Kentucky-set TV drama "Justified"). It’s a torturous slow-burn that expects us to invest in a lead character of profound emptiness who finds herself in a soapy scenario that plays out with little panache or ingenuity. It’s competently made but utterly vacant, a forgettable indie fading fast. The film's heroine, Lemuel's daughter Mara (Alice Engert), is engaged to marry a fellow member of the church (Lewis Pullman's Garrett) but was secretly impregnated by an ex-church member named Augie (Thomas Mann), and the big question is whether she's ultimately going to escape from the clutches of her father and his people or succumb to the clearly repressive and superstitious life that she's known since birth. When you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission.

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