His spirit was never an imposition. Veuillez réessayer. Mauvais mixage. Add to Cart Santana - Africa Speaks CD $15.98. On the fast-paced “Batonga,” Santana locks into a wicked free-form jam with David K. Mathews’ Hammond B3 that recalls the band’s early days. A walloping Afro-Cuban bata rhythm precedes "Baytonga" before the band kick in with biting guitar riffs, Benny Reitveld's whomping bass line, Cindy Blackman Santana's rolling tom-toms (this set provides some of the finest drumming in her long career), and Karl Perazzo's congas. Laura Mvula guests on the simmering jazz-blues nocturne "Blue Skies," trading verses with co-composer Buika. He trusted the process and how I wanted people to dance and feel in a way that’s totally different.”, Another dramatic element in the creation of Africa Speaks came in the form of Spanish singer Buika, whose heavenly lead vocals cast a magical spell throughout the album. "Breaking Down the Door," is a humid cumbia with Buika and a chorus relating a murder ballad while indicting patriarchy and class division. Merci d’essayer à nouveau. If you didn't know this album was produced by Rick Rubin you would probably guess just by the way that Carlos runs out the traps from the get go. It’s in my DNA. "Bembele" is a Latin jazz groover that finds Carlos quoting from "Song of the Wind" (off 1972's Caravanserai) in his solo, with Buika's expressive vocal soaring and swooping in time to the rhythm section.

All of the songs have a coliseum essence to them,” Santana observes. Not here; on Africa Speaks that sound is just one among many -- some tunes here are almost unrecognizable as Santana).

très bonne guitare de Carlos. Africa Speaks is breathtaking in terms of energy and scope of vision. He, Buika, and the Santana band made the most of it. Tracks which are instantly forgettable, no coherent rhythm or melody, a singer screaming like a banshee. A walloping Afro-Cuban bata rhythm precedes "Baytonga" before the band kick in with biting guitar riffs, Benny Reitveld's whomping bass line, Cindy Blackman Santana's rolling tom-toms (this set provides some of the finest drumming in her long career), and Karl Perazzo's congas. "Luna Hechicera," is another fusion tune where rumba, jazz, and funk commingle and writhe as exquisite instrumental dialogues occur under Buika's soulful singing. Africa Speaks is breathtaking in terms of energy and scope of vision. Conga drums introduce Carlos' brief spoken narration to the title cut; his stinging guitar joins with Buika's pained modal moan in Andalus flamenco style in an improvised percussion-rippled interlude. Breaking Down The Door (4:30) It’s a thrilling finale to a one-of-a-kind journey. Edit Release All Versions of this Release New Submission .

No matter the numerous musical terrains Santana have traversed since the late 1960s, their trademark Afro-Latin sound is so recognizable it often dominates the band's material. Années 70 Groove: Musique de films [Vinyl] Starsky et Hutch, Mission Impossible, Ba... Pour calculer l'évaluation globale en nombre d'étoiles et la répartition en pourcentage par étoile, nous n'utilisons pas une moyenne simple. (Look for it to become much longer live.) “This song means business – it’s got war paint,” says Santana. It’s like witnessing a tornado that’s coming at you. Carlos is at his best when he has someone to play off and he has this here in spades. Alors, je sais que les éditeurs veulent ressusciter le vinyle pour faire plus de bénéfice. It's adorned by trombone breaks and accordion fills. "Breaking Down the Door," is a humid cumbia with Buika and a chorus relating a murder ballad while indicting patriarchy and class division. To fully realize the breadth of the music on Africa Speaks, Santana knew that he needed to work with another outside-the-box thinker, and he enlisted iconoclastic producer Rick Rubin. Laura Mvula guests on the simmering jazz-blues nocturne "Blue Skies," trading verses with co-composer Buika. Conga drums introduce Carlos' brief spoken narration to the title cut; his stinging guitar joins with Buika's pained modal moan in Andalus flamenco style in an improvised percussion-rippled interlude. Amazon valide la pertinence de ce prix conseillé, sur une base trimestrielle, par rapport aux prix pratiqués par au moins un concurrent ou par Amazon. "Bembele" is a Latin jazz groover that finds Carlos quoting from "Song of the Wind" (off 1972's Caravanserai) in his solo, with Buika's expressive vocal soaring and swooping in time to the rhythm section. Chaque production de Carlos SANTANA est toujours un événement très attendu. How did you do that?’”, On working with Rubin, Santana raves, “He was very gentle and unobtrusive. Mais pourquoi saboter la qualité des CD à grand renfort de compression dynamique ? Having been a Santana fan for decades and having enjoyed everything that he has produced to date; I have to say that Carlos has now officially lost it. Africa Speaks is the surprise of 2019, the album Carlos has been desiring to make for decades but was unable to given contract restrictions -- Concord offered complete artistic freedom. A walloping Afro-Cuban bata rhythm precedes "Baytonga" before the band kick in with biting guitar riffs, Benny Reitveld's whomping bass line, Cindy Blackman Santana's rolling tom-toms (this set provides some of the finest drumming in her long career), and Karl Perazzo's congas.
Matching the singer’s fervor is Santana himself, dispatching three spine-tingling minutes of six-string splendor. We validate people’s existence and touch on so many emotions – there’s humor, beauty, grace and the human existence. No matter the numerous musical terrains Santana have traversed since the late 1960s, their trademark Afro-Latin sound is so recognizable it often dominates the band's material. Acheter les articles sélectionnés ensemble, Page précédente des produits sponsorisés connexes, Page suivante des produits sponsorisés connexes. Laura Mvula guests on the simmering jazz-blues nocturne "Blue Skies," trading verses with co-composer Buika. “It was like a gift that came from heaven that we received and were meant to give to the masses. “I knew he’d never done anything like this.” When Rubin listened to the demos, his reaction was immediate and effusive: “He called me and said, ‘These songs are like gateways to people’s consciousness,’” Santana says. Distilling the 49 dazzling tracks that the band recorded in an unbroken, breathless 10-day period into an 11-cut album was no mean feat, but Santana, now 50 years into his remarkable career, succeeded in creating Africa Speaks as a compelling and uplifting vision that will rank as one of his most important and memorable works. “This record was meant to be,” he says. Throughout, the Santana octet is on fire, fronted by Spain's inimitable force of nature Concha Buika, a singer, songwriter, poet, and producer. “This is music that I hold so dearly, and it’s not a stranger to me,” he says. Firstly I would like to say that I have been a Santana fan since the early 70s, have bought everything he has ever recorded and also seen him more times that I can count so this is only my opinion but I do regard myself as a huge fan. on savait tous que santana savait jouer de la guitare depuis longtemps maintenant .il nous a tous impressionnés par son talent tandis que nous étions jeunes .il nous revient avec un album de musique du monde , ou afro-jazz .il s 'amuse sagement accompagné par de grands musiciens et des voix splendides s 'accordant a merveille avec sa musique .un exercice de style et de maturité rarement égalé .a découvrir de toute urgence pour tous ceux qui aiment la musique .a faire partager . Here, the Santana band are -- more than at any time since the mid-'70s run of Caravanserai, Welcome, Lotus, and Borboletta -- a rangy, intense, restless, and musically hungry outfit aware of their potential. Africa Speaks is a beautifully sustained, blissful experience that opens with the fully immersive title cut, a righteous celebration that features Santana’s savage, yet shimmering guitar lines engaged in a joyful dance with congas, piano and a rousing choir of vocals. La voix de la chanteuse et la guitare sont saturées. "Bembele" is a Latin jazz groover that finds Carlos quoting from "Song of the Wind" (off 1972's Caravanserai) in his solo, with Buika's expressive vocal soaring and swooping in time to the rhythm section. Buika is a rock singer on "Yo Me Lo Merezco," as entwined guitar leads, fingerpicked chords, and the straight-on 4/4 rhythm section plod morphs to halve its time signature, becoming an unfettered jam where Carlos and Rietveld play head to head.

Here, the Santana band are -- more than at any time since the mid-'70s run of Caravanserai, Welcome, Lotus, and Borboletta -- a rangy, intense, restless, and musically hungry outfit aware of their potential. Paraísos Quemados (5:59) Select Option Santana - Africa Speaks CD & Hoodie Package $59.98. Luna Hechicera (4:47) Africa speaks has glimpses of his undoubted talent but is overwhelmingly garbage.

Ok, now the downside....em there is none. Il analyse également les commentaires pour vérifier leur fiabilité.
Au total: déception pour cette alliance peu opportune. No matter the numerous musical terrains Santana have traversed since the late 1960s, their trademark Afro-Latin sound is so recognizable it often dominates the band's material. Bref, à écouter à bas volume.

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